There are 3 main characteristics of current translated subtitles: first, the translated subtitles of movies must pay attention to the form of particular form of media used. The audience understands and enjoys the film through both dialogue and non-dialogue. Much of the information conveyed is through other means, such as images, music and other symbols and forms. In other words, movies stimulate the sight and sound senses of the audience through both visual and audio. This enables it to rely more information. These two forms could and must complement each other in order to produce the artistic multi-dimensional of movies. The second characteristic is that the subtitles are very fast moving. Usually the subtitles shown matches the dialogue said and as the speed of the dialogue quickens, so does the speed in which the subtitle is displayed. The audience is forced to rewatch the scene again in order to finish reading the subtitles. Therefore,the expected field of vision for movie audiences is less than that of one who is reading a book. The translator must take the visual field the audience into account and the speed at which one can read. Each line should no more than 11-16 words long. Thirdly, the spoken/oral form of languages should be used in the subtitles. The majority of subtitles is for dialogue, consisting of oral language usage. When translating, the translations must also be easy to understand, everyday language.At the same time, it should also be clear and precise. The language style of the translation should be consistent with the original language.
翻译好累呀,而且完全不像一楼二楼的google translate!!!
LZ好心过给点辛苦费吧TVT
Subtitle translation of the current text there are three main characteristics: first, the subtitle translation must pay attention to the particularity of the film information delivery media. 观众总是同时通过语言和非语言形式来理解和欣赏影视作品,电影总多信息的传递不只依靠文字符号,还依靠画面、音乐等其他符号形式。 Audience is always the same time by the form of verbal and nonverbal understanding and appreciation of film and television works, the film more than the total transmission of information not only on the word to sign, also rely on images, music, and other symbolic form. 也就是说,电影是通过视、听两种媒介同时给予观众眼、耳两种感官以刺激,从而传递众多的信息。 In other words, the film is through vision, hearing both media while giving viewers eyes, two ears to stimulate the senses, which passed many of the information. 这两种形式可以而且必须互为补充和帮助,只有这样,才能构成影视艺术的多维度审美特色。 Both forms can and must complement each other and help, the only way to form the multi-dimensional visual arts aesthetic features. 第二,字幕翻译文本的接受有相对短时性、瞬间性。 Second, the subtitle translation of the text is accepted there is a relatively short time, instantaneous nature. 一般来说,字幕的显示时间应该与画面中人物的讲话速度同步,讲话速度越快,字幕的显示时间越短。 In general, the subtitle display time should speak with the speed of screen characters simultaneously, the faster the speech, Subtitle display the shorter the time. 由于字幕随影视情节迅速更换,观众不能反复研读影视字幕,因此观众的期待视野应该小于书籍的读者视野。 As the subtitle with the film rapidly changing circumstances, the audience can not read Subtitle repeated, so the audience's horizon of expectations should be less than book readers perspective. 译者必须使翻译长度适合观众的阅读视野,也就是每行最大字符数大约11—16个字。 The translator must translate the length of the reading vision for the audience, that is, the maximum number of characters per line of about 11-16 words. 第三,影视字幕翻译具有口语性。 Third, Subtitle Translation has spoken of. 影视字幕翻译大部分是对白翻译,在语言类型上属于口语范畴,将其转化为字幕译文时,语言既要通俗易懂,自然上口,又要清晰简洁,连贯流畅;译文在文体、语言风格上也应该尽量和原文风格保持一致。 Subtitle Translation mostly dialogue translation, the language type part of the oral area, will be transformed into subtitle translation, language should be easy to understand, naturally catchy, but also clear and concise, coherent and smooth; translation in style, language style should also be consistent as possible with the original style. 加QQ946681865
Subtitle translation of the current text there are three main characteristics: first, the subtitle translation must pay attention to the particularity of the film information delivery media. The audience is always the same time through language and non-verbal form of understanding and appreciation of film and television works, movies and more general information transfer not only on the word to symbols, but also rely on images, music and other symbolic forms. In other words, the film is through vision, hearing both media while giving viewers eyes, two ears to stimulate the senses, which passed many of the information. Both forms can and must complement each other and help, the only way to form the multi-dimensional visual arts aesthetic features. Second, the subtitle translation of the text is accepted there is a relatively short time, instantaneous resistance. In general, the subtitle display time should speak with the speed of screen characters simultaneously, the faster the speech, Subtitle display the shorter the time. As the subtitle with the rapidly changing TV plot, the audience can not read Subtitle repeated, so the audience's horizon of expectations should be less than book readers perspective. The translator must translate the length of the reading vision for the audience, that is, the maximum number of characters per line of about 11-16 words. Third, Subtitle Translation has spoken of. Subtitle Translation mostly dialogue translation, the language type part of the oral area, will be transformed into subtitle translation, the language of both user-friendly, natural catchy, but also clear and concise, coherent and smooth; translation in style, language style should also be consistent as possible with the original style.